Latest articles by Bruce Aleksander
LED Fresnels: A (Somewhat) Different Light by the Same Name
Lighting Technology There have always been some trade-offs alongside advances in lighting
A New Take on Reflectors: Cine Reflect Lighting Systems
EXPERTISE The need for better tools has inspired lighting innovation
What’s the Best Color Temperature for Lighting TV Studios?
OPINION Today we can choose which color temperature we want based on what’s better for the subjects
Lights for Anchor Comfort: An Approach to Easing News Desk Eye Strain
OPINION When it’s a contrast rather than a brightness problem
Raising the Bar on LED Panel Lights
PRODUCT ARRI’s new SkyPanel X will likely become a 'must have' for rental houses and large studios
Image-Based Lighting: The Disappearing Distinction Between Lights and Video Displays
LIGHTING TECHNOLOGY IBL fixtures open new possibilities for virtual production
Using Chin Lights to Present On-Camera Talent in the Best Possible Light
LIGHTING TECHNOLOGY My favorite version of chin lighting is done without additional instruments
Lighting Choices at NAB Show Come Down to Three Letters: L-E-D
Vendors will be offering a lot more quality at lower cost
Preparing for Your Next Lighting Package—Power Control
LIGHTING TECHNOLOGY Existing lighting infrastructure will need modification to work with new lighting
Time’s Almost Up for Fluorescent Lighting
LIGHTING TECHNOLOGY Studios should have a plan for the transition
Lighting for TV: Finagling the Inverse-Square Law
LIGHTING TECHNOLOGY The way you create your lighting should be invisible to the audience
The Ongoing Evolution of LED Lights
LIGHTING TECHNOLOGY Still using incandescent and fluorescent? The clock is ticking
Taming Contrasts: Lighting and Shadowing in the Field
LIGHTING TECHNOLOGY What needs to be seen must be within the limits of the camera’s contrast range
