Carl Mrozek

Practically the only way to shoot underwater is to immerse the camera or its lens.

Fits the bill for space-tight situations

As we near the sunset of the analog video era, we are seeing more and more tools for recording HD video and compatible audio on media other than videotape.

It’s dubbed Scarlet X in recognition of its Mysterium X sensor that enables the capture of 4K and even limited 5K raw video.

The Nautilus, which incorporates a revolutionary design from nature, has the potential to become a breakthrough audio support product.

Once upon a time (barely a decade ago), it wasn’t unusual to shoot many projects—large and small— with a single, medium-to-large video camera and tripod.

These days it isn’t unusual to use several different cameras on a production, each with its own codecs and media.

One of the benefits of downsizing broadcast and digital cinema cameras is the size and cost of much of the support gear needed to make them fully functional can also be downsized.

For some two decades, Steadicams and their imitators have been the cutting edge of mobile, off-tripod camera support with little challenge from new technology.

LED technology has revolutionized our industry with cooler, lighter, brighter, softer and more efficient lighting than is feasible with traditional sources.

Higher capacity batteries are ideal, particularly if they also comply with air travel regulations.

Similar to existing models made for small- to medium-sized camcorders, but incorporates features designed especially for DSLR HD capture.

Nothing beats a compact high-resolution field monitor for improving focus, color balance, and framing.

A breakthrough product which raises the bar another notch in the on-camera lighting world

A well-designed, budget-priced short shotgun mic that appears well suited to a range of professional applications and situations.

Cam-Wave HD uses the same core components as a wireless audio system—a transmitter and a receiver—to operate in license-free spectrum.