Chuck Gloman

When you’re required to shoot for long periods of time without the benefit of a tripod, you must learn quickly how to keep your shots steady so as not to make the viewer ill.

Steadicams come in all sizes for most shooting rigs.

Comes with an 800 Watt SE HMI head and lamp, weatherproof ballast, barn door, four Fresnel lenses, and a sturdy carrying case

Camera Research Motion’s Blackbird camera stabilizer supports cameras up to eight pounds, helping shooters wade through the sea of gimbal stabilizers.

RED Digital Cinema’s cameras are legendary in the industry for their ultra-high resolution imagery.

Jibs have evolved and changed over the last few years and ProAm USA’s Orion DVC200 eight-foot model is no exception.

Anton/Bauer has been supplying DC power to cameras and other devices since the early 1970s.

Flashpoint CoolVee 7 is an inexpensive fluorescent softlight that includes a reflector and softbox, providing a lot of bang for the buck.

Broadcast Pix’s Flint V2 is a production and streaming system that allows others to see your video creations.

Australia’s Atomos Ninja 2 is a high-definition field recorder and monitor that’s compatible with both PC and Mac platforms.

Features dimming control, adjustable color temperature and wireless remote control.

Advances have been made in every area of video production, and tripods are not excluded from that list.

One of biggest complaints with sound recording is dealing with the cables.