Chuck Gloman

LED technology has taken over the industry as more people want long lasting lamps stingy on power.

Studio-configuration cameras have advanced technologically a great deal in the last few years, and Hitachi is a strong contender in this area.

Panasonic has now released VariCam technology in a much smaller, less expensive package.

As the lighting enthusiast in film school in the late 1970s, my friends and colleagues suggested I invent a light and call it the “glow light” after my last name.

Battery technology has vastly changed in the last few years.

Their small weight, cool operation, and low power consumption make them ideal for both location and studio applications

Designed for camcorders and digital SLRs.

Steadicam has been around for a long time with its stabilization products.

You’d think that a good quality, fluid head tripod would be one of the first things a filmmaker would buy.

The Sun-Bouncer Pro Kit allows you to diffuse the light source to achieve softer shadows.

The Petrol PC301 will be a very useable addition to anyone's camera transporting system.

You would be hard pressed to find any Hollywood film or television series that is not shot with an ARRI camera.

It’s not often I get the chance to review a camera of this stature—the last time I used an Arriflex camera in this magnitude was when I shot 35 mm motion picture film.

Production switchers have evolved from their predecessors in that it no longer takes great engineering skill to set up and operate the unit.