Jay Ankeney

Highlights from this year's "State of the Edit" survey.

The classic has been restored to as close to its original conception as anyone could expect.

We’re seeing a growing interest in what we call ‘editing for engaging experiences’ in Internet distribution.

If stereoscopic 3D is ever going to become a mainstream medium it will have to get out of the studio financial system and into the hands of adventurous independents.

We've all wanted to go tapeless ever since the CMX-600 dangled that tantalizing possibility before our editing eyes in 1971.

Do you remember the early days of mobile video editing?

This is a story of a lot of pluck, a little luck, and a great deal of talent that is inspirational to every editor.

Tape reels give way to nonlinear editors over the past two decades.

This has been a pivotal year for the video production industry; fighting a sour economy on one hand and the soaring challenge of HD migration on the other.

Increasingly, it's the video elements only tangentially relevant to passing the pigskin that are becoming the hits of the show.

It's almost spring, a time when many a post pro's thoughts turn to "editor's dreams" -- speculation on innovations they would like the industry to conjure up to improve all our digicutting lives.