Jay Ankeney

It is rare to have an industry as influential as post production for primetime broadcasting that is dominated as significantly as Avid rules over TV production and post.

"Basically, we built this film on cardboard before we even started final editing."

With quadruple the information of HD contained in the massive 4K files, it is going to be the editors who will be relied upon to realize the potential of this new production format.

For this editor's eye, it contains some of the most fascinating use of the editing art of any film I saw last year.

Last month we looked at three NLEs that can tackle a 4K workflow... This month and next we’ll look at a spectrum of other edit systems valiantly climbing the 4K summit.

During a presidential campaign as tumultuous as the Watergate era, HBO has given us "Recount," the best political film since "All the President's Men."

If you're going to spend $3.5 million to air a 30-second TV commercial during the Super Bowl, you are going to want to max out its impact far beyond the confines of the grid iron.

It was the best of times, the worst of times, and a real puzzlement. The best was for Super Bowl XLVII MVP Joe Flacco, the worst was for whoever paid the lighting bill.

Walking into the facilities of Legend3D Inc. is like entering a darkened beehive that is buzzing with creativity.

The explosion of source material options facing today's editors is impressive

Highlights from this year's "State of the Edit" survey.

It's streamlined, and made for an artist who needs to work through a variety of challenges all in one system.