Jay Ankeney

The second annual State of the Edit Report asked edit system manufacturers who are exhibiting at NAB to comment on where editing is today, and where post production is headed in general.

3D is popping out all over in movies these days, and as usual, it is up to the post-production pros to ride herd on all the magic that is coming out of Z-space.

Part of “Survivor’s” impact comes from the powerful dramatic arc editors Grieve and Brodie gave to it.

Sometimes the clearest perspective on today's digital production challenges comes from the bottom of the production funnel.

Do you remember the early days of mobile video editing?

The ads of Super Bowl XLI were the gift that kept on giving.

It's almost spring, a time when many a post pro's thoughts turn to "editor's dreams" -- speculation on innovations they would like the industry to conjure up to improve all our digicutting lives.

Increasingly, it's the video elements only tangentially relevant to passing the pigskin that are becoming the hits of the show.