Jay Ankeney

3D has become a favored piñata for many in the film and broadcast industry.

The annual toboggan ride toward the 2014 NAB Show in April has begun.

“We are working on eight television shows right now including ‘NCIS: Los Angeles,’ ‘Perception,’ and ‘Cougar Town,’ among others, but none of those clients have requested 4K masters.”

The NFL predicted that Super Bowl XVLIII would be a showcase for the best offensive and the best defensive players of the league.

Rarely do I run into as enthusiastic a cadre of editors than those who have chosen to adopt Sony Creative Software’s Vegas Pro as their mainstream NLE.

Super Bowl XLIX on Feb. 1 was the most-watched, live event in the history of U.S. sports television with a record overnight rating of 49.7, up 4 percent over last year’s game.

Highlights from this year's "State of the Edit" survey.

The classic has been restored to as close to its original conception as anyone could expect.

The explosion of source material options facing today's editors is impressive

It's streamlined, and made for an artist who needs to work through a variety of challenges all in one system.

Tape reels give way to nonlinear editors over the past two decades.

Leave it to digital video production and postproduction artists to conjure up images of inspiration that can help turn a year of such tragedy into uplifting optimism.

You’re an editor right at the scene of the action, riding an adrenaline rush, cutting a breaking story from within a packed remote truck.