Jay Yeary

It should be apparent by now that future broadcast and media infrastructure will be IP-based.

As mature as the television industry is, it appears to be going through a very disruptive identity crisis right now.

Audio for video is about to get more complicated

Careful planning is the best course of action before heading down the AoIP road.

The face of television audio has developed some interesting new wrinkles since we last looked at loudness—namely, immersive audio, objectbased audio and audio for personal devices.

Every April, thousands of us make a pilgrimage to the desert to learn from gurus who pass along insight and direction, give us glimpses into the future, and help us make sense of it all.

At the 2016 Audio Engineering Society Convention in Los Angeles, I ran into a friend who was manning the booth of a broadcast audio console manufacturer.

With CES and NAMM behind us we’re successfully through the first couple of industry-related trade shows of 2015.

With immersive audio knocking on the door of broadcast television, it seems like a good time to investigate some ways to create content for the format.

I was working on a string of projects back in the mid-1990s that required us to fly in talent to handle Spanish and Portuguese translation.

It seems that most discussions about loudness management tend to focus on distribution as opposed to the content creation side of the chain.

Audio over IP (AoIP) has matured to the point that it’s only a matter of time until it becomes standard in television facilities.