Joey Gill

While the unit has a broadcast feel, its modern PC genes are evident as well.

There have never been more options for broadcasters when it comes to moving signals over long distances.

In managing a broadcast facility, many things have changed during the past few years.

The physical world has its limitations—things can only get so small.

As the broadcasting business has changed over the years, so have many tools of the trade.

The system design is modular, and all modules are hot-swappable and front-loaded.

Whether it’s HD-SDI, 3 Gbps, or 2K video, we’ve all probably wished for at least one flavor of such exotic video in our studios.

Its feature set is large, including frame sync/delay, proc amp, noise reduction, clipping, color correction, motion detection, up/down/cross/aspect ratio conversion and more.

I take my hat off to the AP engineering staff for providing the industry with such a valuable and useful tool.

Allows monitoring and evaluation of both multichannel audio and metadata content in the professional broadcast environment.

For as long as I’ve been in the broad- cast engineering business, there have been small “brick” pieces of gear.

Talk about options for moving content around—there was just about any flavor that you could want at the 2014 NAB Show.

There was no shortage of transmission hardware at this year’s NAB Show, with plenty of transmitters, transmission line and antennas.