Joey Gill

There will be EAS/CAP gear galore, and closed captioning offerings are likely to peak a bit, due to upcoming IP delivery requirements.

Whether it’s HD-SDI, 3 Gbps, or 2K video, we’ve all probably wished for at least one flavor of such exotic video in our studios.

I take my hat off to the AP engineering staff for providing the industry with such a valuable and useful tool.

Allows monitoring and evaluation of both multichannel audio and metadata content in the professional broadcast environment.

Transmitting equipment is now more feature-packed, compact, energy efficient, and reliable than ever before.

The system design is modular, and all modules are hot-swappable and front-loaded.

The unit is built very solidly; be careful not to drop it on your foot.

Its feature set is large, including frame sync/delay, proc amp, noise reduction, clipping, color correction, motion detection, up/down/cross/aspect ratio conversion and more.

The unit performed flawlessly and operation was a breeze.

It's probably safe to say that one image is synonymous with television, at least from a historical perspective, and that's the test pattern

As television technology has changed, so has the role of the test pattern.

The evolution of intercommunication systems has been as steady as any component of television production, though often it seems that the communication element is taken for granted.