L.T. MARTIN

Ever since film was replaced by video as the mastering medium of choice, editors have been exploring the best way to finish projects using digital technology.

Combining live action with elaborate character animation and multi-level backgrounds inherently involves intensely complex compositing. Learn how one visual effects supervisor does it.

While Australia, Canada, Japan and the USA are aggressively trying to nurture interest in high-definition television broadcasting, something curious is

These are heady days for high-end nonlinear editing system providers. But, we may have recently lost one of the biggest players in the game. Despite the

This year, the broadcast industry aimed to make stereoscopic 3-D a mainstream medium for home-delivered entertainment, in hopes that it would become as

On Thursday evening, Nov. 20, 2003, ABC aired the news special Peter Jennings Reporting: The Kennedy Assassination Beyond Conspiracy. The program featured

With so many predicting that 3-D productions will soon move from fad to mainstream, editors are going to need to get ready to tackle the requirements

One of the reasons many consider post production the most exciting arena for high-definition content creation is the burgeoning number of choices for

Ever since the CMX 600 system introduced disk-based editing at the 1971 NAB convention in Chicago, digital nonlinear editing has become a mature technology

A JVC JY-HD10U camera can be had for less than $1000 and it works well with a smaller crew, fewer specialized technicians and comparable savings on body mounts.

This year, the shape of the editing world changed drastically through acquisitions and rebranding, as well as through new technologies. First, Avid Technology

The shape of the editing world at NAB2005 changed as much through acquisitions and rebranding as through new technologies. Here is a look at some of the new packages introduced at NAB2005