Ned Soseman

Adobe SpeedGrade support is included with AJA's Io Express, Io XT, T-TAP and KONA products.

This collaboration will build seamless workflows for customers in the professional video, television and commercial post-production industries.

SGL FlashNet is integrated into Grass Valley’s toolset.

SGL Flashnet is a key to the agency’s HD upgrade.

The planned network upgrade will offer a tenfold increase in bandwidth to support expanded services.

Adrick is also in the midst of his third three-year term on the ATSC Board.

Its all-in-one connector system enables a mobile video production system for high school students.

One of today’s truest tests of leading-edge optical glass technology is high resolution digital imaging.

The technical side of television requires more than good eyes. Broadcast engineers must make objective, repeatable observations of signals, waveforms and values using test gear.

What’s the difference between rows of gaming machines in Las Vegas casinos and today’s broadcast facility?

Many stations are moving from automating legacy infrastructure to station-in-a-box designs but most are somewhere in between. Few share many technical similarities.

There’s more to focus on than mounts, millimeters and glass

Technically, the root of most of the controlled chaos in today’s TV newsrooms is the need for speed, one of the two common denominators among local newsrooms that are otherwise unique.

New LA facility ALL3MEDIA AMERICA is built around the EditShare 192TB XStream shared storage and media management platform.

Hong Kong’s largest independent broadcaster has installed 26 PlayBox servers.

Master Media Player speeds the creation and testing phase of large digitization projects.

PBS’s “Mel Brooks: Make a Noise” was completed with a Teranex 2D Processor and DaVinci Resolve.