Stuart Finlayson

HP veteran Laurent Valluy gets the nod as Graham Sharp is also unveiled as the company's new senior VP of corporate development.

Shotover used the cameras for 2D and 3D helicopter shoots.

Straker Coniglio joins the company from Avid Technology, where he served for more than 12 years in key director-level sales and marketing positions for the Asia Pacific region.

SET’s production infrastructure includes Spectrum media servers, Omneon MediaGrid shared storage, Media Application Server asset management and ProMedia Carbon transcoders.

The company’s initiatives — including executive appointments, a key regional acquisition and a number of new customer wins — will culminate at the CommunicAsia 2012 show in Singapore next week.

Jhonny Maroun has been named director of Wohler APAC as a new Wohler office and regional service center opens in Hong Kong.

GlobeCast's EUTELSAT 9A satellite is bringing Chinese news to European viewers.

Australia’s blind and vision-impaired community assisted in digital switchover.

Declining revenue thought to have prompted the move.

Global's acquisition of 24 HDC2400 cameras will boost its major sporting event coverage.

Philippe Fort is the former president of NETIA's Supervisory Board and has more than 20 years of experience in the telecommunications sector.

This year’s show is expanding to meet the needs of the thriving media and broadcasting industries in Asia.

Sony's implementation means the AFTRS students can learn in a state-of-the-art production environment.

The New Zealand production company chose Quantel to boost its throughput.

Miranda president and CEO Strath Goodship said Belden's offer was an attractive one for Miranda's shareholders.

iStreamLive uses Wowza Media Server 3 to facilitate online video streaming for its customers in the Asia Pacific, Americas, Europe and Africa.

TVTak is an innovative platform for instant interaction during television shows, games and commercials.

The company’s chief sales officer says the need to reduce the complexity, cost and effort to subtitle and caption new and repurposed content has never been greater.