Sue Sillitoe, White Noise PR

The company’s Cerebrum Monitoring & Control software will be on show, alongside Axon’s Synapse signal processing line and SynMC Master Control System.

First of a kind deal implements IaaS for maximum flexibility and cost-savings.

Fairlight has appointed Qvest Media as a distributor, and appoints more staff to support existing customers and to leverage growing opportunities in Europe.

Axon & Utah Scientific partner to distribute broadcast solutions worldwide.

The UK company has a long history of delivering exceptional audio facilities to prestigious Russian Clients.

The company has completely revamped its online presence to create a resource that is both useful and informative for new and experienced microphone users.

The new TIDE series provides cost-effective, reliable multi-format encoding & decoding optimized for streaming over the open internet & mobile networks. 

This acclaimed ensemble of Italian sopranos are now using d:facto™ Vocal Microphones for all their live dates.

Axon’s 4K signal processing and advanced monitoring & control perform at the heart of game-changing production.  

LiveIP Project showcases seamless multi-vendor interoperability over IP network.

This additional investment enables the expansion of the company's innovative MediaLounge™ OTT video platform.

The company is launching a new campaign highlighting the benefits of using these small and versatile microphones to record high quality audio.

David Chan is now heading the company that supports dealers and users of Jünger Audio products in South East Asia.

With a raft of ground-breaking audio production solutions, Fairlight takes efficiency, compatibility and flexibility to the next level at IBC 2014 (7.H17).

Prism Sound's Titan and Atlas Audio Interfaces will be on show for the first time in Europe at IBC 2014 (8E34), along with a new version of the company's popular SADiE 6 software.

The digital cinematography company is one of the first in the world to rent out apertus° AXIOM Open Digital Cinema Cameras.

This unique facility for the broadcast and feature film sound market has been specifically designed to cater for two very different types of foley workflow.

This unique platform for 3D Sound Production allows you to mix once, mix immersively and deliver in multiple formats. it is on show at Fairlight's IBC stand - 7:H17.

This latest upgrade to the internationally acclaimed SADiE software is announced in conjunction with a new and exceptionally competitive pricing structure.

Sound effects editor Steve Browell uses a selection of DPA microphones to capture the sound of different cars for feature films and television projects.

Several large broadcasters and UK supply companies exchanged over 200 lavalier microphones for DPA’s d:screet™ Miniature Microphones over a six week period.