Survey: Streaming Ad Tiers Prompt 36% to Upgrade Services
Another 31% said they had dropped a streaming service to avoid ads, according to Bango
SAN JOSE, Calif.—Following the news that Prime Video is introducing ad-funded content, new research from Bango shows that ads are delivering serious gains for streaming and subscription giants. According to the data, the launch of ad-funded tiers has driven more than a third of U.S. subscribers (36%) to upgrade their services.
The survey found however that the launch of ad-supported tiers is a double edged sword that can also be a dangerous game for subscription providers, with 31% of subscribers saying they’ve canceled at least one service because ads were introduced. Strong objections also remain towards ‘premium ad tiers’, with 78% saying that paid-for subscriptions should never display ads.
The findings, which comes from Bango’s newly released "Subscription Wars 2024" report, which incorporates research from over 5,000 U.S. subscribers on their habits, behaviors and attitudes towards subscriptions, also highlighted the fact that acceptance of advertising varies across different subscription types.
While 36% of TV and video streamers have paid for an upgrade to avoid watching ads, this figure rises to 48% among music subscribers. For those streaming sports content (SportsVOD), the number is even higher with a massive 71% opting to upgrade when ads are introduced into their services.
The Bango report also highlights the impact of recent crackdowns on password sharing. Since the new, strict rules were introduced by services like Netflix, 35% of subscribers have started paying for a service they previously accessed for free via someone else’s account.
While these changes are driving subscribers to sign up and pay out, they’re apparently not enough to keep some people hooked. More than a third of subscribers (35%) still regularly jump between platforms, pausing and restarting their subscriptions to access the content they want, the report found.
“American attitudes towards subscriptions are changing,” explained Paul Larbey, CEO of Bango. “While many people predicted that ad tiering would be firmly rejected, in reality subscribers are welcoming the flexibility it provides. People want choice. Those who are happy to watch ads accept them, those who aren’t pay a little extra. The important thing is that they have the freedom to choose.”
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“It’s that same demand for choice that’s driving the move towards content hubs and Super Bundling,” he added. “Subscribers want to jump between different content and services but they don’t want the admin headache of managing multiple accounts and paying multiple bills. With the rise of Super Bundling in 2024, we’re expecting to see that headache disappear. At the same time, these all-in-one platforms will help drive new revenue for cell phone providers and allow subscription services to share users rather than fighting over them. It’s a win-win scenario for businesses and subscribers alike.”
In terms of bundling, the report noted that 2023 saw services like Verizon +play launch as America’s first all-in-one subscription hub, ‘Super Bundling’ services such as Netflix, Starz, Max, Paramount+ and more all in one place.
According to data from the Bango 2024 study, this represents a welcome trend for subscribers, with 73% saying they want one platform to manage all of their subscriptions in one place. 69% would also like the ability to pay for multiple subscriptions via one monthly bill.
However, when it comes to offering these all-in-one services, American subscribers are wary of a return to ‘cable TV’ style packages, with only 29% wanting their cable company to manage their subscriptions. Instead, half of subscribers (50%) say they want their cell phone provider to launch a content hub. The majority of these (61%) would even pay a higher cell phone bill to receive this service, with the average subscriber happy to pay an additional $364 per year (+19% of their annual bill).
The full report is available here.
George Winslow is the senior content producer for TV Tech. He has written about the television, media and technology industries for nearly 30 years for such publications as Broadcasting & Cable, Multichannel News and TV Tech. Over the years, he has edited a number of magazines, including Multichannel News International and World Screen, and moderated panels at such major industry events as NAB and MIP TV. He has published two books and dozens of encyclopedia articles on such subjects as the media, New York City history and economics.