HDR and Its Impact on Workflow

This paper discusses the various High Dynamic Range formats in use today and how producers can integrate HDR into the production and distribution of their programming regardless of whether some, all, or none of their production equipment is HDR-ready. The sidebars within this paper discuss various HDR products as well as production companies that have already deployed High Dynamic Range.

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Phil Kurz is a contributing editor to TV Tech. He has written about TV and video technology for more than 30 years and served as editor of three leading industry magazines. He earned a Bachelor of Journalism and a Master’s Degree in Journalism from the University of Missouri-Columbia School of Journalism.