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Part 2: Next-Gen Audio Coding

By JEFFREY C. RIEDMILLER published

Last month's article discussed the theory behind high-end audio coding. The second half of this series will define broadcast quality and tandem coding.

Opinions
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Audio Objects for 4KTV

By Jay Yeary published

The current buzz in the television industry is all about the promise of 4K, yet most of the talk is centered on video quality, with very little being said about the audio that supports the image.

Opinions
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Griffis Elected SMPTE President

By Posted by Tom Butts published

Griffis, vice president of technology in the Office of the CTO at Dolby Laboratories succeeds current SMPTE President, Matthew Goldman.

People
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Dolby Labs Gives Thumbs Up on Rohde & Schwarz Prismon

By Michael Balderston published

Products
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Dolby Features AC-4/Atmos At IBC Show

By James O'Neal published

Events
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AES69-2015: Key to Immersive Audio

By Jay Yeary published

Ever since audio technology made the shift from mono to stereo imaging it seems that some listeners have been on a quest for the most immersive audio image possible.

Opinions
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CES 2017: LG, Dolby Release 4K Blu-ray Player

By posted by Deborah D. McAdams published

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ATSC Sounds Out 3.0 Audio Proposals

By Jay Ankeney published

Opinions
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Audio Innovations From 2015 CES, NAMM

By Jay Yeary published

With CES and NAMM behind us we’re successfully through the first couple of industry-related trade shows of 2015.

Opinions
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Netflix, Dolby to Add 100 Hours of HDR

By posted by Deborah D. McAdams published

Dolby and Netflix today announced they would be adding over 100 hours of high dynamic range programming to the streaming platform by August 2016.

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