Jay Yeary

With immersive audio knocking on the door of broadcast television, it seems like a good time to investigate some ways to create content for the format.

I was working on a string of projects back in the mid-1990s that required us to fly in talent to handle Spanish and Portuguese translation.

Audio for video is about to get more complicated

The face of television audio has developed some interesting new wrinkles since we last looked at loudness—namely, immersive audio, objectbased audio and audio for personal devices.

Every April, thousands of us make a pilgrimage to the desert to learn from gurus who pass along insight and direction, give us glimpses into the future, and help us make sense of it all.

Think about how we consume television now.

In my August column, “The Audio World Without ISDN,” we looked at the impending demise of ISDN and the options available for those who can no longer get service.