Jay Yeary

At the 2016 Audio Engineering Society Convention in Los Angeles, I ran into a friend who was manning the booth of a broadcast audio console manufacturer.

With immersive audio knocking on the door of broadcast television, it seems like a good time to investigate some ways to create content for the format.

I was working on a string of projects back in the mid-1990s that required us to fly in talent to handle Spanish and Portuguese translation.

Audio for video is about to get more complicated

The face of television audio has developed some interesting new wrinkles since we last looked at loudness—namely, immersive audio, objectbased audio and audio for personal devices.